I_HAVE_A_STORY_FOR_YOU
Andrew Sawyer's blog of fun things that inspire me.
Graduate of Rhode Island School of Design for Graphic Design. Now resident of San Francisco, CA.
My Website!
I_HAVE_A_STORY_FOR_YOU
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razorshapes:

Sarah Illenberger
Strange Fruits (2012)
1. Cauliflower Brain
2. Beetroot Rubies
3. Carrot Lipstick
razorshapes:

Sarah Illenberger
Strange Fruits (2012)
1. Cauliflower Brain
2. Beetroot Rubies
3. Carrot Lipstick
razorshapes:

Sarah Illenberger
Strange Fruits (2012)
1. Cauliflower Brain
2. Beetroot Rubies
3. Carrot Lipstick
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likeafieldmouse:

Matthew Brandt - Lakes and Reservoirs (2008-11)
likeafieldmouse:

Matthew Brandt - Lakes and Reservoirs (2008-11)
likeafieldmouse:

Matthew Brandt - Lakes and Reservoirs (2008-11)
likeafieldmouse:

Matthew Brandt - Lakes and Reservoirs (2008-11)
likeafieldmouse:

Matthew Brandt - Lakes and Reservoirs (2008-11)
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Editor/Designer: Joshua OgdenSub Editors: William Whiting, Jasper Van Den BoschPublishing/Art Direction: Paradise NowPrinting: The Print Room (Bournemouth) LtdEditorial: Mat DolphinCover: James Ward
luciematussiere:


Justified Mag (UK)
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thekhooll:

Visual Language
by Cristiana Couceiro
thekhooll:

Visual Language
by Cristiana Couceiro
thekhooll:

Visual Language
by Cristiana Couceiro
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razorshapes:

Idris Khan - London (2012) - Images of famous London landmarks superimposed
razorshapes:

Idris Khan - London (2012) - Images of famous London landmarks superimposed
razorshapes:

Idris Khan - London (2012) - Images of famous London landmarks superimposed
razorshapes:

Idris Khan - London (2012) - Images of famous London landmarks superimposed
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jesuisperdu:

josé dávila
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Viewfindr.com
by: Hype & Slippers
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66lanvin:

black-and-white:

Deep

A DREAM within a DREAM………No.1
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rcruzniemiec:

The Topographic Projections and Implied Geometries Series Jim Sanborn
“These images were produced by direct, large format, light projection.  The projector, powered by a mobile generator, was moved from site to site.  All of the pieces were photographed at night using long exposures.  On moonless nights, the landscape was lit with searchlights.  The land forms themselves are quite large, requiring the projector and camera to be, on average, 1/2 mile away from the subject landscape.”
rcruzniemiec:

The Topographic Projections and Implied Geometries Series Jim Sanborn
“These images were produced by direct, large format, light projection.  The projector, powered by a mobile generator, was moved from site to site.  All of the pieces were photographed at night using long exposures.  On moonless nights, the landscape was lit with searchlights.  The land forms themselves are quite large, requiring the projector and camera to be, on average, 1/2 mile away from the subject landscape.”
rcruzniemiec:

The Topographic Projections and Implied Geometries Series Jim Sanborn
“These images were produced by direct, large format, light projection.  The projector, powered by a mobile generator, was moved from site to site.  All of the pieces were photographed at night using long exposures.  On moonless nights, the landscape was lit with searchlights.  The land forms themselves are quite large, requiring the projector and camera to be, on average, 1/2 mile away from the subject landscape.”
rcruzniemiec:

The Topographic Projections and Implied Geometries Series Jim Sanborn
“These images were produced by direct, large format, light projection.  The projector, powered by a mobile generator, was moved from site to site.  All of the pieces were photographed at night using long exposures.  On moonless nights, the landscape was lit with searchlights.  The land forms themselves are quite large, requiring the projector and camera to be, on average, 1/2 mile away from the subject landscape.”
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bigmagnets:

Scott Schermer
bigmagnets:

Scott Schermer